The Fires Still Burn

Forty years after the City bombed a house, killed 11 MOVE members and destroyed a neighborhood, Philadelphia still has not reckoned with what it says about us

By Dr. James Peterson
WATCH

Philly on Fire

The Citizen screened a powerful documentary featuring witnesses of the MOVE bombing, one of the darkest moments of Philadelphia’s racial history

By Lauren McCutcheon
Guest Commentary

Chuck Stone, Citizen of the World

The Daily News’ first Black columnist, a civic giant, won a posthumous Pulitzer citation this week. A Philly writer remembers his lifesaving work — and his kindness

By Thomas Devaney

How “Window Box Activism” Shaped Philly

That box garden you just walked by or on the front of your house once played a surprising role in urban renewal — thanks to women

By Kate Kilpatrick
Guest Commentary

“Our Job Just Got Harder”

But the work has never been more important, says The Rosenbach Museum & Library Director, despite — or because of — nearly $600,000 in federal funding cuts

By Kelsey Scouten Bates
The New Urban Order

Can Preservation and Development Go Together?

It’s easy to attack the preservation of buildings like the Roundhouse when housing is in such demand.

By Diana Lind

How to be the MLK of American Democracy

No matter where we stand in the racial, economic or social ladder, a commitment to excellence, human dignity,and an unwavering pursuit of justice are how we live up to the ideals of the Civil Rights icon celebrated Monday

By Dr. James Peterson

Can We Talk About the Roundhouse Now?

With the 76 Place debate behind us, can we get down to actual neighborhood — and city — planning?

By Courtney DuChene

A Fitting Rebuke to Rizzo?

A monument to civil rights icon Sadie Alexander, planned for where Mayor Frank Rizzo’s used to stand, would be only the third statue of a real-life Black Philadelphian on public view

By Malcolm Burnley
Art for Change

Windows Into the Soul of America

Sonya Clark’s video installation, The Descendants of Monticello explores what freedom means from the panes of Declaration House historical site

By RJ Rushmore