Recognition Now

The Berman Museum opens an exhibition of Mexican photographer Enrique Bostelmann with a mission to include more people in fine art, and help ensure art’s survival

By Sarah Jordan

The (Vote) Play’s The (Vote) Thing

PA Youth Vote and activist theater company Just Act are using drama to activate the newest generation of voters. What can we learn from them on Voter Registration Day?

By Sarah Jordan
Generation Change Philly

The Do-Good Music Impresario

Greg Seltzer, attorney and founder of Philly Music Fest, uses his business savvy and personal passion to help current and future generations of local musicians thrive.

By Sarah Jordan

Yours, Dangerously

A cadre of visionary women are behind Guild House Hotel—a newly opened boutique hotel that celebrates the history residing in our buildings by giving props to the early feminists who initially occupied the property.

By Sarah Jordan
The Citizen Recommends

Vaginas In Concert

Artist Althea Rao’s collaborative “Vagina Chorus” seeks to open minds and change attitudes about women’s bodies. Catch it Friday at the Barnes.

By Sarah Jordan

Listen Up!

In our divided times, Philadelphia Contemporary explores the healing power of empathetic listening with a 10-year art project that kicked off last month.

By Sarah Jordan

Using Your Voice Against You

In his new book, Penn professor Joseph Turow warns about a growing smart tech industry determined to use our voices in ways that should alarm us. It’s not too late to take back control.

By Sarah Jordan
The Citizen Recommends

Long Bright River

Temple writing professor Liz Moore’s acclaimed new novel is set amidst the Kensington opioid crisis. Here, she talks about finding—and writing—hope within despair

By Sarah Jordan

How Diverse is Your Art Collection?

The Pennsylvania Academy of the Fine Arts leads the way among American museums in buying art by women and African Americans. It’s about time.

By Sarah Jordan

“Opera is Already in You”

Opera Philadelphia had the guts to overhaul its entire way of presenting opera in 2017. Has the gamble paid off?

By Sarah Jordan