Voice: Logan Cryer
“Wouldn’t It Be Funny If … ”
Comedian and Tattooed Momedy co-host Tan Hoang prefers to thoughtfully zig where other stand-ups reflexively zag — and that’s working out just fine for her
By Logan CryerThe Film Director Who Faked It Till He Made It
Is Ted Passon, co-director of Philly D.A. and creator of the new Hulu documentary rom-com Patrice: The Movie, just a South Jersey guy who got lucky — or a humble visionary who just so happens to collab with the likes of Alex De Corte and Tierra Whack?
By Logan CryerJohn Jarboe, the Artist Who Ate Her Twin
The Bearded Ladies Cabaret founder has a new interactive installation at the Fabric Workshop and Museum that is an earnest, absurd and macabre expiration of queer selfhood
By Logan CryerThe Bold Self-Portraitist
Gen Z artist Zeinab Diomande pushes the boundaries of painting, constantly experimenting with versions of the same subject: Themself
By Logan CryerChampioning Art with Words
For more than two decades, Roberta Fallon’s Artblog has amplified Philadelphia art and artists — work that is more important than ever. The next in a series with Forman Arts Initiative
By Logan CryerVisual Art as a Bullhorn
Chela Ixcopal became an artist by following his heart. That’s how he came to represent immigrants’ rights groups and kids pursuing art for the first time
By Logan CryerThe Comic
Pap Souleye Fall plays with serious themes in multifarious spaces — comic cons, a waste recycling facility — the next in our series with Forman Arts Initiative
By Logan CryerSteward of Black Creativity
In going from art student to sculptor to ceramicist to curator to podcaster, Gerald Brown has been an advocate for and supporter of Black and Brown artistry — and a keen observer of the artistic process
By Logan CryerThe Soundmaker
Penn music technology professor Eugene Lew experiments with electronic music and sound. His latest project: a collaboration with textile weavers.
By Logan CryerThe Deliberate Photographer
Kenyssa Evans is not a stereotypical Gen Z. She eschews social media, works slowly and intentionally, and prefers working in the shadows on her sensory images of Blackness in America.
By Logan Cryer